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Kuleshov on Film: Writings by Lev Kuleshov Lev Vladimirovich Kuleshov, Ronald Levaco
Publisher: Univ of California Pr

I always thought I was making Five Easy Pieces with a robot the whole time, and I was wrong. During the 1920's Lev Kuleshov was among the first to theorise that the essence of cinema was the editing of a film, the juxtaposition of one shot to another. Through-out the films that Kuleshov was creating they contained propaganda a form of information that is biased to support a specific view (in this issue it was a government, political view). In this classic interview with Alfred Hitchcock he demonstrates the Kuleshov Effect. In the early days of cinema, Russian film editor Lev Kuleshov showed an audience a series of scenes featuring film star Ivan Mosjoukine. But Ford is so much better at writing spinoffs of other genres. (The Kuleshov Effect is an early editing technique developed by Russian filmmaker Lev Kuleshov in where he would give emotional attachment to a blank face by showing something that has emotion immediately after. Montage is a synonym for a form of editing which was practiced by Soviet filmmakers Lev Kuleshov, Vesvolod Pudovkin, Dziga Vertov and Sergei Eisenstein around the 1920s at the Kuleshov school of film-making. The Kuleshov Effect is the result of a very famous film experiment done by Lev Kuleshov in the 1910s and 1920s. This is a film editing montage effect named after Russian filmmaker Lev Kuleshov who first illustrated it in the 1910s and 1920s.